@techreport{OPUS4-1916,
  title     = {{\"U}ber Worte und Bilder},
  url       = {https://nbn-resolving.org/urn:nbn:de:hbz:dm13-19168},
  pages     = {10},
  year      = {2008},
  abstract  = {Forschungsbericht Projektleitung: Sabine an Huef Zeitraum: 2007-2008 F{\"o}rderung: Fachhochschule Dortmund Forschungssemester},
  language  = {de}
}
@article{Scorzin2013,
  author    = {Scorzin, Pamela C.},
  title     = {{\"U}ber das Unsichtbare im Sichtbaren},
  series = {Image : Zeitschrift f{\"u}r interdisziplin{\"a}re Bildwissenschaft},
  number    = {18},
  issn      = {1614-0885},
  pages     = {25},
  year      = {2013},
  language  = {de}
}
@incollection{M{\"u}ller2021,
  author    = {M{\"u}ller, Jens},
  title     = {Zwischen Information und Emotion: das Grafikdesign der Bahn},
  series = {Design \& Bahn: eine Gestaltungsgeschichte},
  publisher = {Prestel},
  address   = {M{\"u}nchen ; London ; New York},
  pages     = {230 -- 239},
  year      = {2021},
  language  = {de}
}
@article{Bohn2013,
  author    = {Bohn, Ralf},
  title     = {Zur soziografischen Darstellung von Selbstbildlichkeit},
  series = {Image : Zeitschrift f{\"u}r interdisziplin{\"a}re Bildwissenschaft},
  number    = {18},
  issn      = {1614-0885},
  pages     = {29},
  year      = {2013},
  language  = {de}
}
@incollection{Scorzin2013,
  author    = {Scorzin, Pamela C.},
  title     = {Zeitgen{\"o}ssische Schaufensterkunst der global brands},
  series = {Schaufensterkultur : inszenierte Warenwelt in Basel ; anl{\"a}sslich er gleichnamigen Ausstellung vom 5. Juni bis zum 27. Oktober 2013 im Museum Kleines Klingental in Basel},
  publisher = {Merian},
  address   = {Basel},
  pages     = {14},
  year      = {2013},
  language  = {de}
}
@book{Weism{\"u}ller2017,
  author    = {Weism{\"u}ller, Christoph},
  title     = {Wirtschaftswachstum und philosophische Erkenntnis},
  publisher = {Peras Verlag},
  address   = {D{\"u}sseldorf},
  isbn      = {978-3-935193-32-0},
  pages     = {151},
  year      = {2017},
  language  = {de}
}
@book{J{\"u}nemann2019,
  author    = {J{\"u}nemann, Kai},
  title     = {Will feel eyes on},
  publisher = {Slanted Publishers},
  address   = {Karlsruhe},
  isbn      = {978-3-948440-03-9},
  pages     = {128},
  year      = {2019},
  language  = {en}
}
@incollection{Wilharm2009,
  author    = {Wilharm, Heiner},
  title     = {Wieso Wahrheit? Vertrauen!},
  series = {Space and truth = Raum und Wahrheit},
  publisher = {Z{\"u}rcher Hochschule der K{\"u}nste},
  address   = {Z{\"u}rich},
  pages     = {13},
  year      = {2009},
  language  = {de}
}
@book{OPUS4-2850,
  title     = {West-Berlin Grafik-Design},
  editor    = {M{\"u}ller, Jens},
  publisher = {Optik Books},
  address   = {D{\"u}sseldorf},
  isbn      = {978-3-00-063546-5},
  pages     = {152},
  year      = {2019},
  language  = {de}
}
@techreport{OPUS4-1842,
  title     = {West Yorkshire Filmprojekt: eine Recherche},
  url       = {https://nbn-resolving.org/urn:nbn:de:hbz:dm13-18424},
  pages     = {3},
  year      = {2005},
  abstract  = {Forschungsbericht Projektleiter: Klaus Helle Zeitraum: 2003/2004 F{\"o}rderung: Fachhochschule Dortmund, Forschungssemester},
  language  = {de}
}
@article{Wilharm2013,
  author    = {Wilharm, Heiner},
  title     = {Weltbild und Ursprung},
  series = {Image : Zeitschrift f{\"u}r interdisziplin{\"a}re Bildwissenschaft},
  number    = {18},
  issn      = {1614-0885},
  pages     = {39},
  year      = {2013},
  language  = {de}
}
@misc{OPUS4-1698,
  title     = {Warsaw},
  series = {Slanted : typography and graphic design},
  number    = {28},
  editor    = {Harmsen, Lars},
  publisher = {Slanted Publishers},
  address   = {Karlsruhe},
  issn      = {1867-6510},
  pages     = {256},
  year      = {2016},
  language  = {en}
}
@incollection{WilharmBohn2010,
  author    = {Wilharm, Heiner and Bohn, Ralf},
  title     = {Vorwort der Herausgeber},
  series = {Kybernetische Szenografie : Charles und Ray Eames - Ausstellungsarchitektur 1959 bis 1965},
  publisher = {Transcript},
  address   = {Bielefeld},
  pages     = {8},
  year      = {2010},
  language  = {de}
}
@incollection{GrittmannFrommGebhardt2022,
  author    = {Grittmann, Elke and Fromm, Karen and Gebhardt, Dirk},
  title     = {Von Fotojournalist*innen zu unabh{\"a}ngigen Bildautor*innen},
  series = {Fotojournalismus im Umbruch : Hybrid, multimedial, prek{\"a}r},
  publisher = {Herbert von Halem Verlag},
  address   = {K{\"o}ln},
  pages     = {228 -- 251},
  year      = {2022},
  language  = {de}
}
@incollection{Scorzin2010,
  author    = {Scorzin, Pamela C.},
  title     = {Von der Parkinszenierung zur inszenierender Fotografie in Parks},
  series = {In Dortmunder Parks : Fotografien und Texte},
  publisher = {Kerber},
  address   = {Bielefeld},
  year      = {2010},
  language  = {de}
}
@book{Bohn2017,
  author    = {Bohn, Ralf},
  title     = {Vom Zeichen zur Szene},
  publisher = {Transcript},
  address   = {Bielefeld},
  isbn      = {978-3-8376-3836-3},
  pages     = {202},
  year      = {2017},
  language  = {de}
}
@book{Irrgang2017,
  author    = {Irrgang, Daniel},
  title     = {Vom Umkehren der Bedeutungsvektoren},
  editor    = {Marburger, Marcel Ren{\´e} and Zielinski, Siegfried},
  publisher = {Verlag der Buchhandlung Walther K{\"o}nig},
  address   = {K{\"o}ln},
  isbn      = {978-3-86335-687-3},
  pages     = {76},
  year      = {2017},
  language  = {de}
}
@incollection{Scorzin2009,
  author    = {Scorzin, Pamela C.},
  title     = {Vom Realwerden des Imagin{\"a}ren und Irrealisieren des Realen},
  series = {Space and truth = Raum und Wahrheit},
  publisher = {Z{\"u}rcher Hochschule der K{\"u}nste},
  address   = {Z{\"u}rich},
  pages     = {12},
  year      = {2009},
  language  = {de}
}
@misc{OPUS4-2898,
  title     = {Voltaire - Migration},
  series = {Voltaire Magazin},
  number    = {7},
  publisher = {Fachhochschule Dortmund},
  address   = {Dortmund},
  pages     = {188},
  year      = {2020},
  language  = {en}
}
@misc{OPUS4-1700,
  title     = {Voltaire - friendship},
  series = {Voltaire Magazin},
  number    = {3},
  publisher = {Fachhochschule Dortmund},
  address   = {Dortmund},
  pages     = {153},
  year      = {2016},
  language  = {de}
}
@incollection{Lensing2017,
  author    = {Lensing, J{\"o}rg},
  title     = {Vokabular zu audio-visuellen Ph{\"a}nomenen},
  series = {Expertise in audio media : TMT29 : 29. Tonmeistertagung, VDT International Convention, 17.11.-20.11.2016, Cologne : conference proceedings},
  publisher = {Verband Deutscher Tonmeister e. V},
  address   = {Bergisch Gladbach},
  year      = {2017},
  language  = {de}
}
@incollection{Scorzin2010,
  author    = {Scorzin, Pamela C.},
  title     = {Voice-over image},
  series = {Images of illegalized immigration : towards a critical iconology of politics},
  publisher = {Transcript},
  address   = {Bielefeld},
  pages     = {10},
  year      = {2010},
  language  = {en}
}
@phdthesis{Nguyen2017,
  type      = {Bachelor Thesis},
  author    = {Nguyen, Michael},
  title     = {Ver{\"a}nderte Bewusstseinszust{\"a}nde - Subjektivierung und Traumdarstellung im Filmton},
  url       = {https://nbn-resolving.org/urn:nbn:de:hbz:dm13-20832},
  pages     = {140},
  year      = {2017},
  abstract  = {In meiner Bachelor-Thesis untersuche ich, mit welchen klanglichen Mitteln Subjektivierungen in Filmen gestaltet werden. Dabei lege ich einen Fokus auf Traumsequenzen, die den gr{\"o}ßten Subjektivierungsgrad innerhalb einer filmischen Erz{\"a}hlung aufweisen. In meinen Ausf{\"u}hrungen untersuche ich eine Vielzahl filmischer Beispiele und schließe die Arbeit mit einer Ton-Analyse des Kurzfilms "Marion" ab, f{\"u}r den ich das Sound Design erstellt habe.},
  language  = {de}
}
@incollection{Wilharm2011,
  author    = {Wilharm, Heiner},
  title     = {Vertrauens{\"o}konomie und mediale Inszenierung},
  series = {Inszenierung und Vertrauen : Grenzg{\"a}nge der Szenografie},
  publisher = {Transcript},
  address   = {Bielefeld},
  pages     = {34},
  year      = {2011},
  language  = {de}
}
@incollection{Weism{\"u}ller2011,
  author    = {Weism{\"u}ller, Christoph},
  title     = {Vertrauensinszenierungen},
  series = {Inszenierung und Vertrauen : Grenzg{\"a}nge der Szenografie},
  publisher = {Transcript},
  address   = {Bielefeld},
  pages     = {18},
  year      = {2011},
  language  = {de}
}
@incollection{Scorzin2010,
  author    = {Scorzin, Pamela C.},
  title     = {Vertrauen ist gut, Szenografie ist besser},
  series = {Reflektor/Spieltrieb : works},
  publisher = {Kettler},
  address   = {B{\"o}nen},
  year      = {2010},
  language  = {de}
}
@incollection{Wilharm2011,
  author    = {Wilharm, Heiner},
  title     = {Vertrauen inszenieren?},
  series = {Inszenierung und Vertrauen : Grenzg{\"a}nge der Szenografie},
  publisher = {Transcript},
  address   = {Bielefeld},
  pages     = {32},
  year      = {2011},
  language  = {de}
}
@incollection{Wilharm2012,
  author    = {Wilharm, Heiner},
  title     = {Urbanit{\"a}t und Ereignis},
  series = {Inszenierung der Stadt : Urbanit{\"a}t als Ereignis},
  publisher = {Transcript},
  address   = {Bielefeld},
  pages     = {60},
  year      = {2012},
  language  = {de}
}
@phdthesis{Porombka2021,
  type      = {Bachelor Thesis},
  author    = {Porombka, Jonas},
  title     = {Urbane Soundscapes - Der L{\"a}rm im urbanen Raum und auditive Stadtgestaltung am Beispiel der Stadt Bochum},
  doi       = {10.26205/opus-3102},
  url       = {https://nbn-resolving.org/urn:nbn:de:hbz:dm13-31022},
  pages     = {53},
  year      = {2021},
  abstract  = {Das Ziel der vorliegenden Bachelorarbeit ist die Vermittlung eines grundlegenden Verst{\"a}ndnisses f{\"u}r die akustischen Umgebungen einer Stadt und die Auswirkungen von L{\"a}rm auf den menschlichen Organismus und die Umwelt. Hierf{\"u}r werden zun{\"a}chst eine Einf{\"u}hrung in die Soundscape-Forschung gegeben und wichtige Begrifflichkeiten f{\"u}r die Analyse von Soundscapes erl{\"a}utert. Am Beispiel der Stadt Bochum wird anschließend auf den Zustand der akustischen Umgebungen im urbanen Raum eingegangen und die Relevanz der auditiven Stadtplanung verdeutlicht. Daraufhin wird ein Einblick in aktuelle Forschungen gegeben, die auf einen neuen und den klanglichen Aspekt umfassenden Standpunkt der modernen St{\"a}dteplanung hoffen lassen. Abschließend wird die Konzeption und Realisierung der Soundscape-Komposition Urban Transitions unter der Ber{\"u}cksichtigung der gewonnenen Erkenntnisse beschrieben und ein Bezug zu vergleichbaren Werken hergestellt.},
  language  = {de}
}
@incollection{Scorzin2018,
  author    = {Scorzin, Pamela C.},
  title     = {Urban Art by osa as a laboratory},
  series = {Urban Art: creating the urban with art : proceedings of the International Conference at Humboldt-Universit{\"a}t zu Berlin, 15-16 July, 2016},
  publisher = {Pedro Soares Neves},
  address   = {Lisbon},
  pages     = {144 -- 154},
  year      = {2018},
  language  = {en}
}
@book{GebhardtKoldehoffKoldehoff2013,
  author    = {Gebhardt, Dirk and Koldehoff, Nora and Koldehoff, Stefan},
  title     = {Unter freiem Himmel},
  publisher = {Nimbus},
  address   = {W{\"a}denswil},
  isbn      = {978 3 907142 90 5},
  pages     = {76},
  year      = {2013},
  language  = {de}
}
@incollection{Lensing2009,
  author    = {Lensing, J{\"o}rg U.},
  title     = {Unser Spiel, unser Fest, unsere Arbeit},
  series = {Modell Bauhaus : ... anl{\"a}sslich der Ausstellung "Modell Bauhaus", veranstaltet von den drei Bauhaus-Institutionen Bauhaus-Archiv Berlin/Museum f{\"u}r Gestaltung, Stiftung Bauhaus Dessau und Klassik Stiftung Weimar in Kooperation mit dem Museum of Modern Art in New York ; Martin-Gropius-Bau, Berlin, 22. Juli bis 4. Oktober 2009},
  publisher = {Hatje Cantz},
  address   = {Ostfildern},
  pages     = {5},
  year      = {2009},
  language  = {de}
}
@book{OPUS4-2017,
  title     = {Two cities - Tehran/Dortmund},
  editor    = {Winde, J{\"o}rg},
  publisher = {Fachhochschule Dortmund},
  address   = {Dortmund},
  pages     = {279},
  year      = {2018},
  language  = {en}
}
@book{OPUS4-3161,
  title     = {Two cities - Tehran/Dortmund},
  editor    = {Winde, J{\"o}rg},
  publisher = {Fachhochschule Dortmund},
  address   = {Dortmund},
  pages     = {123},
  year      = {2021},
  language  = {en}
}
@book{OPUS4-2864,
  title     = {Two cities - Tehran/Dortmund},
  editor    = {Winde, J{\"o}rg},
  publisher = {Fachhochschule Dortmund},
  address   = {Dortmund},
  pages     = {271},
  year      = {2019},
  language  = {en}
}
@incollection{Scorzin2013,
  author    = {Scorzin, Pamela C.},
  title     = {Traitor (2008)},
  series = {World film locations: Marseilles},
  publisher = {Intellect Ltd},
  address   = {Chicago},
  pages     = {1},
  year      = {2013},
  language  = {en}
}
@book{LensingNeuhausScorzin2012,
  author    = {Lensing, J{\"o}rg and Neuhaus, Thomas and Scorzin, Pamela C.},
  title     = {Theater der Kl{\"a}nge},
  editor    = {Lensing, J{\"o}rg},
  publisher = {Theater der Kl{\"a}nge},
  address   = {D{\"u}sseldorf},
  pages     = {97},
  year      = {2012},
  language  = {de}
}
@incollection{Br{\"u}ckner2020,
  author    = {Br{\"u}ckner, Ulrike},
  title     = {The role of education for good design},
  series = {Design and arts for future now},
  publisher = {Esad College of Art and Design},
  address   = {Matosinhos},
  pages     = {68 -- 87},
  year      = {2020},
  language  = {en}
}
@techreport{OPUS4-1851,
  title     = {The Lady vanishes twice},
  url       = {https://nbn-resolving.org/urn:nbn:de:hbz:dm13-18511},
  pages     = {1},
  year      = {2005},
  abstract  = {Forschungsbericht Projektleiterin: Hille Sagel Zeitraum: 2002-2003 Kooperation: Femme Totale, Dortmund F{\"o}rderung: Fachhochschule Dortmund, Forschungssemester},
  language  = {de}
}
@book{OPUS4-3268,
  title     = {The history of graphic design},
  editor    = {M{\"u}ller, Jens and Wiedemann, Julius},
  publisher = {Taschen},
  address   = {K{\"o}ln},
  isbn      = {978-3-8365-8806-5},
  pages     = {511},
  year      = {2022},
  language  = {en}
}
@incollection{Gebhardt2014,
  author    = {Gebhardt, Dirk},
  title     = {The dry heart of Brazil},
  series = {Kolga Tbilisi photo : photo contest - exhibition - education - communication},
  publisher = {Kolga Tbilisi photo},
  address   = {Tbilisi},
  pages     = {6},
  year      = {2014},
  language  = {en}
}
@incollection{Scorzin2014,
  author    = {Scorzin, Pamela C.},
  title     = {The company men (2010)},
  series = {World film locations: Boston},
  publisher = {Intellect Ltd},
  address   = {Chicago},
  pages     = {1},
  year      = {2014},
  language  = {en}
}
@incollection{Marburger2019,
  author    = {Marburger, Marcel Ren{\´e}},
  title     = {The art of resistance},
  series = {Design (\&) activism: perspectives on design as activism and activism as design},
  publisher = {Mimesis International},
  address   = {Sesto San Giovanni},
  pages     = {205 -- 210},
  year      = {2019},
  language  = {en}
}
@incollection{Marburger2019,
  author    = {Marburger, Marcel Ren{\´e}},
  title     = {The art of resistance},
  series = {Design \& activism : perspectives on design as activism and activism as design},
  publisher = {Mimesis International},
  pages     = {205 -- 210},
  year      = {2019},
  language  = {en}
}
@misc{OPUS4-2974,
  title     = {TACH AUCH!},
  series = {TACH AUCH! / Ausstellungskatalog},
  editor    = {J{\"u}nemann, Kai},
  pages     = {32},
  year      = {2017},
  abstract  = {Ausstellungskatalog "TACH AUCH!" - 14 Fotografische Positionen, Emschertalmuseum \& Heimatmuseum Unser Fritz},
  language  = {de}
}
@incollection{Scorzin2015,
  author    = {Scorzin, Pamela C.},
  title     = {Szenokratie der Erregungskultur},
  series = {Inszenierung und Politik : Szenografie im sozialen Feld},
  publisher = {Transcript},
  address   = {Bielefeld},
  pages     = {24},
  year      = {2015},
  language  = {de}
}
@book{Bohn2015,
  author    = {Bohn, Ralf},
  title     = {Szenische Hermeneutik},
  publisher = {Transcript},
  address   = {Bielefeld},
  isbn      = {978-3-8376-3151-7},
  pages     = {482},
  year      = {2015},
  language  = {de}
}
@techreport{OPUS4-1812,
  title     = {Szenische Hermeneutik},
  url       = {https://nbn-resolving.org/urn:nbn:de:hbz:dm13-18123},
  pages     = {5},
  year      = {2016},
  abstract  = {Forschungsbericht Projektleitung: Ralf Bohn Zeitraum: 2013-2015 F{\"o}rderung: Eigenfinanzierung},
  language  = {de}
}
@techreport{OpelBieseke2018,
  author    = {Opel, Harald and Bieseke, Tobias},
  title     = {storyLAB kiU Startbericht 2016-2018},
  organization    = {storyLAB kiU Fachhochschule Dortmund},
  doi       = {10.26205/opus-3717},
  url       = {https://nbn-resolving.org/urn:nbn:de:hbz:dm13-37176},
  pages     = {54},
  year      = {2018},
  abstract  = {Die ersten beiden Jahre nach Start und feierlicher Er{\"o}ffnung ist das kiU einen mutigen, mitunter riskanten Weg gegangen. Große Investitionen in Technologie und in kompetentes Personal f{\"u}r {\"o}ffentlichkeitswirksame Projekte. Dieser Bericht gibt eine {\"U}bersicht {\"u}ber diese erste Phase.},
  language  = {de}
}
@book{OPUS4-3119,
  title     = {Stadt Wahn Kunst},
  editor    = {Weism{\"u}ller, Christoph},
  publisher = {Peras Verlag},
  address   = {D{\"u}sseldorf},
  isbn      = {978-3-935193-37-5},
  pages     = {249},
  year      = {2020},
  language  = {de}
}
@article{M{\"u}ller2017,
  author    = {M{\"u}ller, Jens},
  title     = {Spector Books},
  series = {NESHAN : The Iranian Graphic Design Magazine},
  volume    = {2017},
  number    = {38},
  url       = {https://nbn-resolving.org/urn:nbn:de:hbz:dm13-27320},
  year      = {2017},
  language  = {en}
}
@incollection{Lensing2011,
  author    = {Lensing, J{\"o}rg U.},
  title     = {Soundtrack-Komposition},
  series = {Filmton Guide : Jahrbuch der Berufsvereinigung Filmton e. V. (bvft) ; Filmton Guide 2011},
  publisher = {bvft},
  address   = {Berlin},
  year      = {2011},
  language  = {de}
}
@phdthesis{T{\"o}dte2023,
  type      = {Bachelor Thesis},
  author    = {T{\"o}dte, Finn},
  title     = {Soundscapes des zweiten Weltkriegs. Wie Filmton Geschichte modelliert und interpretiert},
  doi       = {10.26205/opus-3735},
  url       = {https://nbn-resolving.org/urn:nbn:de:hbz:dm13-37357},
  pages     = {117},
  year      = {2023},
  abstract  = {Die vorliegende Arbeit befasst sich mit den Klanglandschaften (Soundscapes) des zweiten Weltkriegs und untersucht, wie die Nationalsozialistische Deutsche Arbeiterpartei (NSDAP) die klangliche Umgebung zur Machergreifung, Machterhaltung und Kriegspropaganda strukturiert hat sowie die Inszenierung dessen im Spielfilm. Zus{\"a}tzlich wird die geschichtsmodellierende Dimension des Filmtons analysiert. Der erste Teil der Arbeit widmet sich den sound studies und beschreibt die tats{\"a}chlichen und empfundenen Soundscapes der Zeit zwischen 1925 und 1945. Der Fokus liegt auf den urbanen Soundscapes in deutschen und von der ehemaligen deutschen Wehrmacht besetzten Gebieten, deren klanglicher Strukturierung, die der NSDAP zur Ergreifung und Absicherung ihrer Herrschaft verholfen hat sowie der Klangsignatur des zweiten Weltkriegs. Im zweiten Teil wird aufgezeigt, wie Spielfilme die realen Soundscapes und subjektiven Empfindungen audiovisuell inszenieren und das kollektive Ged{\"a}chtnis pr{\"a}gen. Es wird die These aufgestellt, dass die Gestaltung der Tonspur in Kriegsfilmen maßgeblich f{\"u}r das Entstehen von Kriegsverst{\"a}ndnissen verantwortlich ist. Des Weiteren wird gezeigt, dass sich anhand der Tongestaltung von Kriegsfilmen auch das Kriegsverst{\"a}ndnis und die gesellschaftspolitische Positionierung der Filmemacher analysieren lassen. Der dritte Teil dieser Arbeit hebt die Rolle des Filmtons in der Geschichtsmodellierung hervor und zeigt auf, welche Ebenen des Filmtons und welche audiovisuellen Effekte zur Interpretation und Modellierung von Geschichte beitragen. Nachfolgend wird anhand von vier Spielfilmen {\"u}ber den zweiten Weltkrieg aufgezeigt, wie die audiovisuelle Gestaltung Kriegsverst{\"a}ndnisse pr{\"a}gt, den Klang des Nationalsozialismus darstellt und inwiefern sie Geschichte modelliert und interpretiert. Zuletzt wird der von mir angefertigte Dokumentarfilm Ich m{\"o}{\"o}ch zo Fooß noh K{\"o}lle jonn analysiert, in dem das Spannungsfeld zwischen der kollektiv-deutschen Schuld am Holocaust und der Flucht und Vertreibung deutscher Menschen aus den Ostgebieten bearbeitet wird. Die Thematik dieses Films brachte mich zur Literatur {\"u}ber die Soundscapes des zweiten Weltkriegs. Das Interesse an dem Thema wurde durch meine deutsche Herkunft und der Auseinandersetzung mit der nationalsozialistischen Vergangenheit gest{\"a}rkt. Die in der heutigen Zeit wieder erstarkte politisch extreme Rechte zeigt die Relevanz der Analyse medialer Aufarbeitung der deutschen Geschichte.},
  language  = {de}
}
@incollection{Lensing2018,
  author    = {Lensing, J{\"o}rg},
  title     = {Sounddesign},
  series = {Handbuch Sound : Geschichte - Begriffe - Ans{\"a}tze},
  publisher = {J. B. Metzler},
  address   = {Stuttgart},
  pages     = {85 -- 88},
  year      = {2018},
  language  = {de}
}
@book{Lensing2006,
  author    = {Lensing, J{\"o}rg U.},
  title     = {Sound-Design, Sound-Montage, Soundtrack-Komposition},
  publisher = {Mediabook-Verlag},
  address   = {Stein-Bockenheim},
  isbn      = {3-937708-05-7},
  pages     = {220},
  year      = {2006},
  abstract  = {Das illustrierte Buch ist die Zusammenfassung dessen, was an Praxis und Theorie zu diesem Thema - insbesondere f{\"u}r angehende Sound-Designer - interessant sein k{\"o}nnte. Das Buch gliedert sich in 12 Kapitel, die {\"u}ber allgemeine akustische und biologische Themen zum H{\"o}ren, zur Tontechnik und zur Tonpraxis speziell im Filmton f{\"u}hren. Der zweite und wesentlich gewichtigere Teil besch{\"a}ftigt sich ausschließlich mit gestalterischen Fragen zum Thema Film-Soundtrack bis hin zur These, dass Sounddesign kompositorisch verstanden die eigentliche Filmmusik zu zeitgen{\"o}ssischen Filmen ist. Diese These wird an 4 exemplarischen und ausf{\"u}hrlichen audio-visuellen Analysen festgemacht.},
  language  = {de}
}
@book{Lensing2018,
  author    = {Lensing, J{\"o}rg},
  title     = {Sound-Design, Sound-Montage, Soundtrack-Komposition},
  publisher = {Fachverlag Schiele \& Sch{\"o}n},
  address   = {Berlin},
  isbn      = {978-3-794909353},
  pages     = {285},
  year      = {2018},
  language  = {de}
}
@article{Scorzin2015,
  author    = {Scorzin, Pamela C.},
  title     = {Some reflections on the photofilmic aesthetics and visual rhetorics of fraught images in Rabih Mrou{\´e}'s "The pixelated revolution" (2012)},
  series = {Image \& Narrative},
  volume    = {16 (2015)},
  number    = {1},
  issn      = {1780-678X},
  pages     = {1},
  year      = {2015},
  language  = {en}
}
@article{Scorzin2013,
  author    = {Scorzin, Pamela C.},
  title     = {Shooting ourselves to death},
  series = {Cahiers : Hefte zur Fotografie},
  volume    = {1 (2013)},
  pages     = {6},
  year      = {2013},
  language  = {de}
}
@incollection{Scorzin2016,
  author    = {Scorzin, Pamela C.},
  title     = {Shooting ourselves to death},
  series = {Let's mix (all media) together \& Hans-Dieter Huber},
  publisher = {Hatje Cantz},
  address   = {Ostfildern},
  pages     = {14},
  year      = {2016},
  language  = {de}
}
@incollection{Scorzin2015,
  author    = {Scorzin, Pamela C.},
  title     = {Sehnsucht nach Sch{\"o}nheit/Longing for beauty},
  series = {Among women},
  publisher = {Kerber},
  address   = {Bielefeld},
  year      = {2015},
  language  = {und}
}
@incollection{Bohn2021,
  author    = {Bohn, Ralf},
  title     = {Schreiben mit Licht},
  series = {Bewegungsszenarien der Moderne : Theorien und Schreibpraktiken physischer und emotionaler Bewegung},
  publisher = {Universit{\"a}tsverlag Winter},
  address   = {Heidelberg},
  pages     = {93 -- 110},
  year      = {2021},
  language  = {de}
}
@incollection{Scorzin2020,
  author    = {Scorzin, Pamela C.},
  title     = {Scenopolitics!},
  series = {Politics : points of view : ein interaktives Magazin f{\"u}r Szenografie und Perspektivwechsel : DASA 2020},
  publisher = {Slanted Publishers},
  address   = {Karlsruhe},
  year      = {2020},
  language  = {de}
}
@article{Scorzin2013,
  author    = {Scorzin, Pamela C.},
  title     = {Scenographic fashion shows},
  series = {Plot : Inszenierungen im Raum},
  number    = {9},
  issn      = {1867-8149},
  pages     = {1},
  year      = {2013},
  language  = {de}
}
@book{Scorzin2016,
  author    = {Scorzin, Pamela C.},
  title     = {Scenographic fashion design},
  publisher = {transcript},
  address   = {Bielefeld},
  isbn      = {978-3-8376-3413-6},
  pages     = {269},
  year      = {2016},
  language  = {de}
}
@incollection{Scorzin2015,
  author    = {Scorzin, Pamela C.},
  title     = {Scenographic branding as a new method and creative tool for museums},
  series = {EMEE young scenographers contest : catalogue of the travelling exhibition},
  publisher = {monochrom},
  address   = {Wien},
  pages     = {4},
  year      = {2015},
  language  = {en}
}
@article{Bohn2014,
  author    = {Bohn, Ralf},
  title     = {Saumpfade des Fotografen},
  series = {Cahiers : Hefte zur Fotografie},
  volume    = {2 (2014)},
  pages     = {8},
  year      = {2014},
  language  = {de}
}
@incollection{Scorzin2013,
  author    = {Scorzin, Pamela C.},
  title     = {Robert Wilsons Scenographic HD-Video Portraits},
  series = {Inszenierung und Effekte : die Magie der Szenografie},
  publisher = {Transcript},
  address   = {Bielefeld},
  pages     = {18},
  year      = {2013},
  language  = {de}
}
@incollection{Gebhardt2014,
  author    = {Gebhardt, Dirk},
  title     = {Robert Bosch},
  series = {Anstifter des Wandels : 50 Jahre Robert Bosch Stiftung},
  publisher = {Silberburg-Verlag},
  address   = {T{\"u}bingen},
  pages     = {6},
  year      = {2014},
  language  = {de}
}
@incollection{Scorzin2012,
  author    = {Scorzin, Pamela C.},
  title     = {Risiko Relationale Szenografie},
  series = {Inszenierung der Stadt : Urbanit{\"a}t als Ereignis},
  publisher = {Transcript},
  address   = {Bielefeld},
  pages     = {16},
  year      = {2012},
  language  = {de}
}
@misc{Scorzin2011,
  author    = {Scorzin, Pamela C.},
  title     = {Rezension zu: Peter Weibel, Harald Falckenberg, Matthew Shattuck (Hg.): Robert Wilson - Video Portratis},
  series = {Journal f{\"u}r Kunstgeschichte : die internationale Rezensionszeitschrift = Journal of art history : the international periodical of reviews},
  number    = {3},
  pages     = {203 -- 2012},
  year      = {2011},
  language  = {und}
}
@misc{Scorzin2011,
  author    = {Scorzin, Pamela C.},
  title     = {Rezension zu: Oliver Grau (Hg.): Imagery in the 21st century},
  series = {Journal f{\"u}r Kunstgeschichte : die internationale Rezensionszeitschrift = Journal of art history : the international periodical of reviews},
  number    = {4},
  pages     = {278 -- 281},
  year      = {2011},
  language  = {und}
}
@misc{K{\"o}hler2013,
  author    = {K{\"o}hler, Norma},
  title     = {Rezension zu: Kristin Westphal (Hg.): "R{\"a}ume der Unterbrechung"},
  series = {Zeitschrift f{\"u}r Theaterp{\"a}dagogik},
  volume    = {29},
  number    = {62},
  pages     = {1},
  year      = {2013},
  language  = {de}
}
@incollection{Scorzin2011,
  author    = {Scorzin, Pamela C.},
  title     = {Resident Evil: Extinction (2007)},
  series = {World film locations: Las Vegas},
  publisher = {Intellect Ltd},
  address   = {Chicago},
  pages     = {1},
  year      = {2011},
  language  = {en}
}
@incollection{Bohn2010,
  author    = {Bohn, Ralf},
  title     = {Reise nach Jerusalem},
  series = {Reflektor/Spieltrieb : works},
  publisher = {Kettler},
  address   = {B{\"o}nen},
  year      = {2010},
  language  = {de}
}
@incollection{Scorzin2016,
  author    = {Scorzin, Pamela C.},
  title     = {Refresh abstraction!},
  series = {Practices of abstract art : between anarchism and appropriation},
  publisher = {Cambridge Scholars Publishing},
  address   = {Cambridge},
  pages     = {14},
  year      = {2016},
  language  = {en}
}
@book{KhosraviKemmeLuckaetal.2022,
  author    = {Khosravi, Samaneh and Kemme, Katharina and Lucka, Stephan and Henkel, Pia and Haupt, Marcel and Junker, Patrick and Sales Prado, Ana Maria and Hermann, Ronja and de Crignis, Martin and Ruholl, Sarah and Zanardi, Lucrezia and Braune, Anne},
  title     = {re:vue 2022},
  editor    = {Marburger, Marcel Ren{\´e}},
  publisher = {Fachhochschule Dortmund, Fachbereich Design},
  address   = {Dortmund},
  isbn      = {978-3-946775-82-9},
  pages     = {54},
  year      = {2022},
  language  = {de}
}
@book{OPUS4-1747,
  title     = {Raw bible},
  editor    = {Doering, Gert and Harmsen, Lars and Schmidt, Michael},
  publisher = {Melville Brand Design},
  address   = {M{\"u}nchen},
  isbn      = {978-3-00-055331-8},
  pages     = {303},
  year      = {2017},
  language  = {en}
}
@article{HessWinde2013,
  author    = {Hess, Hans-Eberhard and Winde, J{\"o}rg},
  title     = {Ratsstuben in Deutschland},
  series = {Photo international},
  number    = {1},
  issn      = {0176-0785},
  pages     = {12},
  year      = {2013},
  language  = {de}
}
@article{Scorzin2021,
  author    = {Scorzin, Pamela C.},
  title     = {Rainer Fetting, Museum Ostwall, Dortmunder U},
  series = {Kunstforum International},
  volume    = {2021},
  number    = {274},
  issn      = {0177-3674},
  pages     = {251 -- 253},
  year      = {2021},
  language  = {de}
}
@incollection{ScorzinArionKrzykowski2014,
  author    = {Scorzin, Pamela C. and Arion, Stella and Krzykowski, Matylda},
  title     = {Questions to Madame Peripetie},
  series = {Dream sequence},
  publisher = {Seltmann},
  address   = {L{\"u}denscheid},
  pages     = {8},
  year      = {2014},
  language  = {en}
}
@book{Gebhardt2017,
  author    = {Gebhardt, Dirk},
  title     = {Quer durch},
  publisher = {Nimbus},
  address   = {W{\"a}denswil},
  isbn      = {978-3-03850-034-6},
  pages     = {287},
  year      = {2017},
  language  = {de}
}
@incollection{Bohn2016,
  author    = {Bohn, Ralf},
  title     = {Probleme gnostischer Praxis},
  series = {Krisis der Pathognostik},
  publisher = {Peras},
  address   = {D{\"u}sseldorf},
  pages     = {1},
  year      = {2016},
  language  = {de}
}
@misc{OPUS4-1699,
  title     = {Portugal},
  series = {Slanted : typography and graphic design},
  number    = {27},
  editor    = {Harmsen, Lars},
  publisher = {Slanted Publishers},
  address   = {Karlsruhe},
  issn      = {1867-6510},
  pages     = {256},
  year      = {2016},
  language  = {en}
}
@incollection{Scorzin2012,
  author    = {Scorzin, Pamela C.},
  title     = {Pleasure palaces},
  series = {World film locations: New Orleans},
  publisher = {Intellect Books},
  address   = {Bristol},
  pages     = {2},
  year      = {2012},
  language  = {en}
}
@book{M{\"u}ller2017,
  author    = {M{\"u}ller, Jens},
  title     = {Pioneers of German Graphic Design},
  publisher = {Callisto},
  address   = {Berlin},
  isbn      = {978-3-9817539-3-6},
  pages     = {400},
  year      = {2017},
  language  = {en}
}
@book{Weism{\"u}ller2009,
  author    = {Weism{\"u}ller, Christoph},
  title     = {Philosophie der Medien},
  publisher = {Peras},
  address   = {D{\"u}sseldorf},
  isbn      = {978-3-935193-10-8},
  pages     = {313},
  year      = {2009},
  language  = {de}
}
@techreport{OPUS4-1855,
  title     = {PCI - Performer Computer Interaction},
  url       = {https://nbn-resolving.org/urn:nbn:de:hbz:dm13-18555},
  pages     = {9},
  year      = {2005},
  abstract  = {Projektleiter: J{\"o}rg Lensing Zeitraum: 2000-2005 Kooperation: Theater der Kl{\"a}nge, D{\"u}sseldorf, ICEM der Folkwanghochschule, Essen F{\"o}rderung: Fachhochschule Dortmund, Forschungsbudget, Forschungssemester},
  language  = {de}
}
@article{Scorzin2020,
  author    = {Scorzin, Pamela C.},
  title     = {Orbital art in the age of internet and space flight: from terrestrial to orbital perspectives},
  series = {Art Sytle - Art \& Culture international magazine},
  volume    = {2020},
  number    = {5},
  issn      = {2596-1802},
  pages     = {25 -- 49},
  year      = {2020},
  language  = {en}
}
@article{Scorzin2021,
  author    = {Scorzin, Pamela C.},
  title     = {On the contemporary scenopolitics},
  series = {Art Style : Art \& Culture International Magazine},
  volume    = {8 (2021)},
  number    = {1},
  issn      = {2596-1802},
  pages     = {71 -- 85},
  year      = {2021},
  language  = {en}
}
@incollection{Scorzin2011,
  author    = {Scorzin, Pamela C.},
  title     = {Ocean's thirteen (2007)},
  series = {World film locations: Las Vegas},
  publisher = {Intellect Ltd},
  address   = {Chicago},
  pages     = {1},
  year      = {2011},
  language  = {en}
}
@incollection{Wilharm2015,
  author    = {Wilharm, Heiner},
  title     = {Ob politischer Schein tr{\"u}gen muss},
  series = {Inszenierung und Politik : Szenografie im sozialen Feld},
  publisher = {Transcript},
  address   = {Bielefeld},
  pages     = {22},
  year      = {2015},
  language  = {de}
}
@misc{Scorzin2009,
  author    = {Scorzin, Pamela C.},
  title     = {Notation},
  series = {Journal f{\"u}r Kunstgeschichte : die internationale Rezensionszeitschrift = Journal of art history : the international periodical of reviews},
  number    = {2},
  year      = {2009},
  language  = {und}
}
@incollection{Scorzin2014,
  author    = {Scorzin, Pamela C.},
  title     = {Mystic river (2003)},
  series = {World film locations: Boston},
  publisher = {Intellect Ltd},
  address   = {Chicago},
  pages     = {1},
  year      = {2014},
  language  = {en}
}
@incollection{BellerLensing2010,
  author    = {Beller, Hans and Lensing, J{\"o}rg U.},
  title     = {Montage},
  series = {Compendium : an interdisciplinary survey of audiovisual culture},
  pages     = {16},
  year      = {2010},
  abstract  = {Im Rahmen der Ars electronica veranstaltete das Ludwig Boltzmann Institut in Zusammenarbeit mit dem Lentos Kunstmuseum Linz (A) von 28. August 09 bis 10. Januar 2010 eine Ausstellung und ein Symposium zum Thema "See this sound".},
  language  = {de}
}
@incollection{Scorzin2009,
  author    = {Scorzin, Pamela C.},
  title     = {MetaSzenografie},
  series = {Inszenierung und Ereignis : Beitr{\"a}ge zur Theorie und Praxis der Szenografie},
  publisher = {Transcript},
  address   = {Bielefeld},
  pages     = {14},
  year      = {2009},
  language  = {de}
}
@incollection{Scorzin2011,
  author    = {Scorzin, Pamela C.},
  title     = {Metascenography},
  series = {The metareferential turn in contemporary arts and media : forms, functions, attempts at explanation},
  publisher = {Rodopi},
  address   = {Amsterdam},
  pages     = {20},
  year      = {2011},
  language  = {en}
}
@article{Br{\"u}gger2016,
  author    = {Br{\"u}gger, Susanne},
  title     = {mehrmalszweiseiten},
  series = {Cahiers : Hefte zur Fotografie},
  number    = {4},
  pages     = {3},
  year      = {2016},
  language  = {de}
}
@article{SachsseWinde2012,
  author    = {Sachsse, Rolf and Winde, J{\"o}rg},
  title     = {Mayor},
  series = {AIT : Architektur, Innenarchitektur, Technischer Ausbau = AIT : Architecture, interior, technical solutions},
  number    = {12},
  issn      = {0173-8046},
  pages     = {4},
  year      = {2012},
  language  = {und}
}
@misc{OPUS4-1701,
  title     = {Marrakech},
  series = {Slanted : typography and graphic design},
  editor    = {Harmsen, Lars},
  publisher = {Slanted Publishers},
  address   = {Karlsruhe},
  issn      = {1867-6510},
  pages     = {64},
  year      = {2016},
  language  = {en}
}
@book{OPUS4-2511,
  title     = {Margareta Hesse: Licht - Raum - Erkundungen},
  editor    = {Kulturamt Berlin-Spandau,},
  publisher = {Druckerei Conrad},
  address   = {Berlin},
  pages     = {32},
  year      = {2017},
  language  = {de}
}